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whatyousaygoes
19 December 2008 @ 07:08 pm
2008 has been a pretty good year. Music-wise, its had good moments as well, like honorably mentionable of Montreal's Skeletal Lamping and the over-hyped Oracular Spectacular brought forth by MGMT. I'd even add Cajun Dance Party's The Colourful Life. My picks for the year's best albums:



Bloc Party Intimacy

When “Mercury” surfaced as Bloc Party’s newest single during the summer and received mixed reviews, I was excited to hear that they announced a new album. I’m not adding Intimacy because of my bias concerning my fangirlyness for this band. I’ll admit that this isn’t Bloc Party’s best, but it works really well. I still think that this album is exceptional, with some really great songs like “Halo” and “Trojan Horse.” For me, Intimacy shows me what Bloc Party is capable of, and how their willing to change their sound here and there. And I have to add that “Ion Square” is a perfectly captured moment in pop dipped in some electro-rock sound.


Cut CopyIn Ghost Colors

This is fun, and it’s poppy, and it’s dance-worthy, and it’s pretty good, too. Cut Copy’s In Ghost Colors is crafted well and a lot of its material is catchy. The band sounds a lot more confident than their debut, Bright Like Neon Love, but that’s understandable, this record is solid.


The Last Shadow PuppetsThe Age of the Understatement

I think The Last Shadow Puppets were my favorite rising band in 2008. The Hollywood-esque, 60’s retro sounds that Miles Kane and Alex Turner bring forth is impressive. You don’t need to be a fan of either Arctic Monkeys or The Rascals to be obliged to listen to this. This is what you’d call ambitious.


DeerhunterMicrocastles

Microcastles sounds like summer. Deerhunter deserves all praise necessary to offer for this effort. The album is a pleasing winner. I absolutely love “Never Stops.”


Little JoyLittle Joy

Sounding like The Strokes some times and other times, not, Little Joy has ventured on something great. This debut is bold and it’s consistent. The vocals are swell, the melodies are perfect, and the album as a whole is awesome.

 

Sigur Ros - Með suð í eyrum við spilum endalaust
I have no idea what’s being sung about when I listen to Sigur Ros, but I still thought this album was remarkable. In some parts, the record is fun and summery, and in others, the songs slow down a bit, but you’re still able to embrace what’s coming at you.

BeckModern Guilt

I really love Beck. I think he’s one of the greatest artists out there. If not already, Beck is becoming a staple in music. Despite how many times “Girl” might have been played on MTV a few years ago, he’s the guy indie snobs will love listening to, and the guy people who tune into the radio will be able to like because he’s not so hard to listen to. Modern Guilt might be Beck’s easiest album, but it’s just great.


The DodosVisiter

“Undeclared” is my favorite song of 2008 because it’s simple folk-pop at its best. This could be said for a lot of Visiter’s content. The Dodo’s have come up with a strong, highly exceptional release. It’s one of those albums that you don’t exactly seek, but comes to you instead. Visiter is easy to like instantly, but with each listen, your ‘like’ turns to ‘love.’ It’s your summertime record; it’s for all those times you’d like to just lie back on the cold, wet grass, and run around in circles under the sprinklers for those hot, lazy days.


FoalsAntidotes

I mentioned this when I first wrote about Foals, but this band is like a combination of Los Campesinos! and Bloc Party. The chanting and energy with seriousness and confidence. Antidotes is surely bold. Foals were over-hyped, but now under-appreciated. This debut is worth the heavy rotation, especially with gems like “Electric Bloom” and “Red Sock Pugie.”


Tokyo Police ClubElephant Shell

When Elephant Shell first came out, I listened to it over and over again. On my review, I offered Tokyo Police Club a lot of praise, I realize, but I still think even now that they deserve it. I just liked Elephant Shell more and more each time I gave it a listen. Sometimes it was all I wanted to hear. I cannot stop raving about this band, simply put. Sure, their songs are pretty short, but they’re insanely catchy. Tokyo Police Club not only offers you words that might be randomly chosen from a dictionary, but a collection of quality, feel-good songs that you can play when you’re sitting on the bus all alone heading to school, or when you’re heading over to the library, and you can still listen to it and appreciate it when you’re on a train at night and during awkward moments you’d rather avoid. Elephant Shell, on the other hand, is one long moment you shouldn’t miss.
 
 
whatyousaygoes
21 August 2008 @ 11:37 am

This morning, I was woke up looking forward to two things: which team won the Olympic’s beach volleyball final (May-Treanor and Walsh!!), and Bloc Party’s new album, Intimacy. This post is obviously more relevant to the latter, so I’ll just keep on with my verbose review.

Intimacy makes me realize why I love Bloc Party so much. It might not be as good as Silent Alarm, and I’ll probably choose A Weekend In The City over this album, but I think this is still a good, and important, release for the band. Silent Alarm was a solid record of brilliance. With their debut, Bloc Party proved themselves a promising group in the dancey, post-punk crowd. Now it’d be hard to try to match up with something as good as their debut, but nonetheless, A Weekend In The City showed that the band was still able to obtain their seriousness and showed off their confidence. AWITC was a bold record.

Now we have Intimacy. I’m not sure what to say about this –not ‘cause it’s bad, because I can assure you that I didn’t think it was bad at all. And it wasn’t weak, either. Intimacy combines Silent Alarm and A Weekend In The City, due to the producers of the album (Paul Epworth and Jacknife Lee). Bloc Party’s latest work has more synth and is slightly experimental, which can be a good thing for some bands. They might not be as post-punk on Intimacy, but Bloc Party is still a band who has complete control over what they’re doing, and they do it quite gracefully. It almost seems natural.

The first song on the album, “Ares,” displays Matt Tong’s top-notch drumming skills. It also sounds a bit like fellow mates Foals because of the background chants. The track is a good transition to “Mercury.” Let’s talk about this song for a bit. It seems to me that Mercury is a song that people either love or hate at first listen, or that it takes a few times to hear the song to actually like it. The release of Mercury could have caused some worry about the direction that Bloc Party seemed to have been heading towards. But you know, this is the band who created instant classics like “She’s Hearing Voices,” and great B-sides like “Always New Depths.”

I visited Bloc Party’s Last.Fm shoutbox to see what others were saying about the album, and many seem to really enjoy “Halo.” This is totally understandable; it’s a great song. It sounds like typical Silent Alarm material, perhaps with a more punk edge. I also think it has a great catchy guitar riff in the middle of the song.

Quieting down from the previous tracks is “Biko,” which makes the said tracks seem slightly dense compared to this. It’s just more down-tempo, unlike “Trojan Horse,” which didn’t strike me so special at first. However, it did relieve some people to know that Bloc Party wasn’t heading towards the “Mercury” sound. Again, we have another song that would fit in with Silent Alarm tracks.

I’m not sure if you can really complain about anything on the album. The songs aren’t atrocious in the least bit. However, some might want ‘the old Bloc Party.’ Anyone would see this coming, though. Musicians need to change a bit in order to grow as artists. They can’t just stick to the same routine forever. Bands will want to experiment and play around with different sounds and influences, so I don’t see any reason to blame them. An artist obviously wants to affect their listener in some way, but it doesn’t always have to be in the same way.

We’ve been offered with so much reminiscence of Silent Alarm, but with “Signs,” I think we get our little bit of A Weekend In The City. However, I think there is more Silent Alarm on this album that AWITC, especially how “One Month Off” reminds me of “She’s Hearing Voices” at the beginning because of the drumming. I think we can hear Radiohead’s influence on the band with “Zepherus,” because of how you can relate the song to “15 Step.” My favorite song of the album would have to “Ion Square,” but this could be an ‘of-the-moment’ statement. I think it closes the album perfectly.

The thing with Bloc Party is that you know what’s going on. You know when they’re trying to say something, to reach out to listeners. You know when the band is letting our their anger, or when Kele Okereke’s emotions are running loose due to desperation and frustration. One can almost feel the loneliness or contentment that goes on in the mind of the protagonist of the songs. Bloc Party isn’t always heart-on-sleeve, though.

Intimacy doesn’t make you wanna shake those hips of yours like Silent Alarm, and it’s not the product of anger and confusion of the world like A Weekend In The City was. In fact, I would say that Intimacy is the conclusion of all that Bloc Party is capable of.

Before I began to pen my review, I told myself not to be lenient with Bloc Party; that I can give whatever grade I want to this record based on what I honestly think of it. So I’m putting all bias aside, because this is still the bold, confident, and strong Bloc Party that we got when they first generated hype, and they remain to be that way with more electronic influences, traces of synth, and heavy guitars. B+/A
 
 
Current Music: self-explanatory
 
 
whatyousaygoes
08 March 2008 @ 03:11 pm
Another post in one day, and another that mentions Bloc Party. I haven’t been able to compare Bloc Party’s debut, Silent Alarm to any other record except for other material by them, but Tokyo Police Club’s leaked record, Elephant Shell is almost like falling in love once again. After releasing a bunch of EPs and singles, the band has finally given fans a full-length debut that even though others may not agree, has substance that can equally match the effort and superiority of Silent Alarm.

I’m not much of a fan of Tokyo Police Club, but people seemed to really anticipate Elephant Shell and I guess, after listening to it, I can see why. Most reviews I give albums are based on the first listen. Although this may not always be the best way to go, my opinions are usually firm. However, this definitely doesn’t matter at all, because just with one spin of this album, Tokyo Police Club have invited you to ride on this sort of roller coaster and takes you into a tunnel of thrills and amazement.

On to the tracks: “Your English Is Good” has always been a good song and it remains that way. “Tessellate” is the point in which I realized that this album was definitely going to make my top 5 of 2008. “Listen to the Math” and “The Baskervilles” make you very sorry that this album being so substantial with quality, just 11 short, 2-3 minutes long songs, is about to end. Although I was able to appreciate The Bird and The Bee’s and Foals’ newest releases, Tokyo Police Club just delivered something much more than fulfilling. A+
 
 
Current Mood: satisfied
 
 
whatyousaygoes
I remember during the beginning of last year, there were a few anticipated albums up for release like Arcade Fire, Bloc Party, Feist, etc. 2008 doesn’t seem so interesting for me other than The Cure and a rumored album by The Vines. I haven’t really been up to date with any reviews, but I do have some new releases that I’ve given a listen to. I guess this is my review post in which I talk about them.

FoalsAntidotes
[download] Red Sock Pugie

When my brother recommended this band to me he described Foals as Los Campesinos! meets Bloc Party. He basically meant that the fun chants and seriousness is included in Foals’ debut album, Antidotes. This album shows boldness and is a contender for being one of the best releases of the year, I’m sure. Though not on heavy rotation at the moment, but will be soon enough, I’m sure, Foals have done a good job at presenting themselves as a promising group. A

Does It Offend You, Yeah?
Let’s Make Out
[download] Let’s Make Out (Original Edit)

This was my first listen of Does It Offend You, Yeah? and I have to admit, though Let’s Make Out was somewhat repetitive, which it ought to be, I was content with this EP. Their debut, You Have No Idea What You’re Getting Yourself Into has already leaked, and I intend to pen my opinion on it once I listen to it thoroughly, but I think I kind of know what to expect after hearing this funky, dance-tempting single. B+


Cut CopyLights & Music EP
[download] Lights & Music (Radio Edit)

This EP by Cut Copy was similar to Does It Offend You, Yeah?’s single, not for its substance, but for what it contains: a radio edit and remixes done by other electronica acts. “Time Stands Still” found on CC’s Bright Like Neon Love will certainly be my favorite song by the band, but the songs found on Lights & Music is definitely charming, and does justice to a person’s ears. B


The Bird and the BeeOne Too Many Hearts EP
[download (m4a)] Come As You Are

I became interested in The Bird and the Bee when I learned that Greg Kurstin, one of the two members of the group worked with Beck and Lily Allen. On the band’s website, they describe One Too Many Hearts as “a new EP of love songs.” This EP is certainly witty and has a certain subtle charm that carries irreplaceable aesthetic beauty. A+
 
 
 
 

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