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whatyousaygoes
08 July 2009 @ 07:14 pm
Since I've had time on my hands, I've been making icons. They're not that great -none of them have any text and they were just the products of a few clicks here and there on Photoshop. I'm not that good... Hopefully, someone will like at least one of these. Please be courteous and leave a comment if taking because it would make me happy! Also, it'd be nice if I'm credited, so that's preferred; especially my Michael Jackson ones, even if they're a bit on the bland side. 

These are what you'll find:
  • Alex Turner [1]
  • Julian Casablancas [2]
  • The Last Shadow Puppets [1]
  • Beck [2]
  • Cat Power [1]
  • Feist [4]
  • Jens Lekman [1]
  • New Buffalo [1]
  • The Most Serene Republic [1]
  • Tokyo Police Club [1]
  • Andrew Bird [3]
  • Emily Haines [3]
  • Final Fantasy/Owen Pallett [1]
  • Patrick Wolf [1]
  • Kevin Barnes [1]
  • Michael Jackson [8]

Here we go... )
 
 
whatyousaygoes
28 January 2009 @ 02:52 pm
 
 
whatyousaygoes
01 January 2009 @ 06:11 pm
 
My first post of 2009, I guess, will be dedicated to Andrew Bird (who happened to give me my favorite moment of the last year). I was able to listen to Useless Creatures, the instrumental bonus to Noble Beast. There are some really good tracks in there. Bird really ought to do a score for a film some day. I love the song "Nyatiti," which I feel like could be made into a song with lyrics. Useless Creatures stands as a good bonus disc, it reminds me a lot of Music of Hair. Andrew Bird clearly proves himself as a master musician. B+
 
 
whatyousaygoes
13 December 2008 @ 02:13 pm
 
I sure do love Andrew Bird. And his new album, Noble Beast, justifies this even more. With his music, Bird manages to sweep you off your feet, delighting you with his melodies and trademark whistling. This album is cleverly pulled off and adds a strong piece to Andrew Bird’s discography.

“Oh No” is a good introduction. I guess I have a thing for songs that mention the atmosphere (So let’s get out of here / Pass the atmosphere), but this is a great song with Bird’s celebrated whistling and nice, subtle drumbeats in the background. I also have a thing for songs that are suitable for that lazy drive on a cool, sunny day, and Andrew Bird has a good number of those. Noble Beast presents “Masterswarm” for the occasion, which has a transition that deserves a smile because you can’t help but realize how great Bird is. His violin doesn’t play a large role in the song, but it definitely adds a nice touch to it. “Fitz and the Dizzyspells” is stellar! It reminds me of a more upbeat “Fiery Crash.” The flourishes in the song are grand, and this may easily be one of the best songs on Noble Beast. “Effigy” is the typical Andrew Bird song, his voice occasionally rising, following the swell tunes. Currently, “Tenuousness” is probably one of my favorite songs off this album.

“Not A Robot, But A Ghost” is clearly impressive. I’d call it Bird’s interpretation of a Dosh song. I love the highs and lows of this song, and I think it’s really great. Andrew Bird does a great job on building upon Martin Dosh tracks. They are a great duo.

I liked hearing “Anonanimal” at All Points West, and this studio recording is pretty fulfilling. “Natural Disaster” reminds me of “Tables and Chairs.” “The Privateers” is pretty uplifting and provides a good mood. “Souverian” has a few nice moments, some good hooks that owe credit to Bird’s trusty violin. “Oh Ho” closes Noble Beast quite perfectly.

I don’t think anyone else shows as much ambition that Andrew Bird does. Personally, for me, he raises the bar for singer-songwriters. He’s original and creative. The folk-pop ballads thrive even when you’re done listening to Noble Beast in its entirety. He’s a very talented musician and I think when you listen to his work, it’s a statement easy to understand. Bird modestly presents his newest effort and stuns you with its wit. A

 
 
Current Music: Andrew Bird - The Privateers | Powered by Last.fm
 
 
whatyousaygoes
01 November 2008 @ 09:19 am



Andrew Bird is always worth the quick post. Fat Possum's latest newsletter includes Noble Beast's (Bird's forthcoming album) release date, which is January 27, 2009. This album can be received as an ordinary CD, a limited deluxe edition, and a double LP package. I definitely have something to look forward to for 2009. 

The tracklist:

01 Oh No
02 Masterswarm
03 Fitz and the Dizzyspells
04 Efigy
05 Tenuousness
06 Nomenclature
07 Ouo
08 Not A Robot, But A Ghost
09 Unfolding Fans
10 Anonanimal
11 Natural Disaster
12 The Privateers
13 Souverian
14 On Ho!

 
 
whatyousaygoes
03 October 2008 @ 05:19 pm
Andrew Bird's New York Times blog had a stream of his demo for a song called "Oh No." Now, Pitchfork has a stream of the official track, and it sounds great. Andrew never ever disappoints and I doubt he ever will. The new album, Noble Beast is being released in January, which I think is a pretty swell way to start off the new year.
 

[listen] Oh No
 
 
whatyousaygoes
09 August 2008 @ 09:21 am



Artist: Grizzly Bear

Part of the crowd that watched Grizzly Bear perform was part of the crowd who watched Girl Talk. From what I saw when I was heading over to the main stage to catch Radiohead, those fans were having a lot of fun. Girl Talk’s audience was fairly young, and he invited people to dance on stage. Beach balls were being thrown around, and you could just sense the hype and energy of the crowd.

But that was Girl Talk. I’m going to talk about Grizzly Bear.

I’m not exactly a fan of Grizzly Bear. The only songs I know of them are “Knives” and “Easier,” which makes me far from a fan. However, from what I saw when I watched them play, I could tell that there’s good musicianship involved when working as an entire group. The crowd they performed for had a bit too much energy for the songs they were playing, I’d say, but overall, it’s not like it was a boring set.

I can’t really make any judgments on Grizzly Bear if I’m not familiar with their work, so I’ll just have to say that they did some pretty good work. Nicely done. 

Artist: Andrew Bird

I never cared to conceal my crush on Andrew Bird. When I first saw him helping out with the set up of equipments, I squealed and told my brother to look and so on. I was feeling pretty anxious to see him live for the very first time. I was really rooting for “Tables and Chairs” because it would’ve made my night perfect. In fact, I’ve actually said that if Andrew Bird plays “Tables and Chairs,” then I will be convinced that 2008 has been, and will continue to be, hopefully, a perfect year.

And speaking of perfect, the man is incredible on stage. Bird’s performances were mesmerizing and stunning. I can’t even describe what I was feeling when he began to play. Andrew started his set with “Why?” and then, I believe he went on to “Opposite Day.”

As he was breaking out of his stellar tunes like “Simple X,” which he credited Martin Dosh for on stage, I began to think. And then I had an epiphany. It was this: although I might love Bloc Party to an unhealthy extent, I think Andrew Bird has to be tied with them for the number one spot in my heart (musically). I absolutely love Bloc Party no matter what  -“Mercury” may not have been their best song, and they might be on Guitar Hero, but I still am quite dedicated and still very much enchanted by them. However, Bird is a great performer –he knows how to treat his crowd, and he definitely knows what to play.

Some favorites were “Imitosis” and “Plasticities.” It was nice to hear him sing another Mysterious Production of Eggs song, “A Nervous Tic of Motion of the Head to the Left.” People really enjoy watching and hearing Andrew Bird sing “Dr. Stringz,” but what I thought was amazing was how good his transition was from “Dr. Stringz” to “Fake Palindromes.” Seriously, what a guy.

Audience members were grateful for “Fake Palindromes” to have been played, and I know for sure that I was, too. Andrew Bird even played two new songs from the new record, and I must say, that they were pretty good. Apparently, he was surprised when he heard his album because of how much he liked it. Of course, I’m pretty sure that was because he’s just plain modest. Us fans know that he is capable of doing brilliant things. There was a lot of strings in the show, so I was afraid that “Tables and Chairs” wouldn’t be played at all. If I was lucky, maybe he’d play “The Happy Birthday Song,” which would have been a good way to end his night if not with the former.

Even though I said that if “Tables and Chairs” were to be played, I’d declare my year to be a perfect one, I realized during the set, that that wouldn’t have been necessary. Because watching Andrew Bird play and really just getting in touch with his music in a different way than before, I realized that I would still love 2008 because I was certain, watching Andrew Bird play, that I would know that there are still talented people out there in the world, people like Mr. Bird, who can offer so much to people if they give him the chance and listen. This realization made me feel satisfied.

Andrew was apparently about to finish his night playing, but then he said, “We have more time than we thought. This song is ‘Skin, Is My.’” There was cheering, and an audience member had even called out, “Play ten more songs! No, fifty! I’m seeing Radiohead tomorrow, anyway.” And I had to agree, because I think I was more moved by Andrew Bird than I was with Radiohead, but my verdict on their performance will be coming shortly, if you’re still reading, of course.

And then he was getting ready for another song. I was sure this was going to be his last one for the night, and even though it would have been okay if he didn’t play “Tables and Chairs,” I was practically praying for it, and I wouldn’t have been surprised if someone told me I had a strained look on my face.

Andrew Bird is a masterpiece. He’s a gift that only really lucky people will be able to receive. I can praise him only so much, but when he announced, “This song is ‘Tables and Chairs,’” I screamed at the top of my lungs and was nearly on the verge of tears.

Not in chronological order, but the set list was:

Why?
Opposite Day
A Nervous Tic of Motion of the Head to the Left
Fiery Crash
Plasticities
Simple X
Imitosis
New Song #1 (I can’t remember the exact name of it, although I wish I could. If my memory recalls correctly, I believe he played it after “Simple X”)
Dr. Stringz
Fake Palindromes
New Song #2  
Skin, Is My
Tables and Chairs

The last song played just affected me in so many ways. I realized that there is nothing more satisfying for me than to watch a completely charming and ambitious songwriter who is just incredibly and sometimes even unbelievably good, give a pleasurable, playful performance. When I saw Andrew Bird standing there with his violin at hand, I couldn’t help but think how perfect someone could be. It’s almost unfair how he was able to manage such a winning show. 

Artist: Radiohead

There is something glorious about the uniting of thousands of fans to the one thing that brings them together.

I wasn’t surprised that I couldn’t get a good spot to watch Radiohead because there were a lot of people. I had to depend on the screen showing shots of various angles of the band to visualize the group, but hearing their music live is almost like hearing it for the first time.

I’ve always wondered, ‘How is it that Radiohead is so huge? How?’ And I think I got my answer last night. Radiohead never fails to reach you and pull you into your own rainbow of high and lows. One can’t help but admire the band’s craftsmanship and ability. I finally realized that Radiohead is the most brilliant band out there. They can do nothing wrong –live, they were much more exceptional than I thought they would be. Radiohead is absolutely perfect on stage and of course, all attention and focus goes to the five boys who have raided the alternative scene.

They opened with “15 Step,” as expected. There’s something about the way Thom Yorke sings “one-by-one” that might compel you (or at least it compelled me) to just watch in awe their bold performance. I’m not sure whether Yorke knows how much he’s loved by fans. His gleeful voice was amusing when he’d finish a song and say “Thank you.” Thom, you are much too humble.

What you realize with Radiohead is that they achieve the things other rock stars can’t. Somehow, they turn the saddest, angriest feelings into something so beautiful and wonderful. It’s masochism, if you think about it. Everyone quieted down to hear “Videotape,” and let it sink in. However, because of how strong and magnificent they were live, I’m not sure if this is a band quite easy to absorb.

Radiohead plays each song with perfection and grace. “Weird Fishes/Arpeggi” was one of my favorites of the night, along with “Reckoner.” One might not like Radiohead too much, or just isn’t able to acquire the taste to listen to them, but I assure you, watching them live is definitely worth it. The experience is just something you have to try to grasp.

A girl next to me was talking to her friend, and I overheard her say, “I can’t believe how good they are.” I completely agree. Radiohead is simply groundbreaking. I won’t say that they’ve found their solid ground to stay put in, but whatever direction they choose to head towards, the band does it with such skill and grace. The picks for the set list were good choices; they were never boring. Instead, the whole night was just focused on them. Radiohead is All Points West’s real deal. Forget Jack Johnson. It’s all about Radiohead.

The encores were stellar to watch. People were really excited to have heard “House of Cards,” and it is amazing to hear “Paranoid Android.” You had audiences jumping when the intro to “Just” broke out and if you sing along to “Cause you do it to yourself, you do, and that’s why it really hurts,” it’s not because you feel obliged to with others doing so –it’s because you simply act on an instinct. You actually have fun at a Radiohead concert.

It’s almost like an out-of-body experience when you’re hearing “Everything In Its Right Place,” and you see people having the time of their lives, or at one of the food vendors. When the show finishes, you’ve reached the end of your rainbow.  

- - - - - - - - - - - - - - - - - - - - 

So that was day one of APW, I have today to get to, and if I'm lucky, hopefully I'll be able to catch some Metric.

 
 
whatyousaygoes
16 July 2008 @ 06:10 pm
The last time I made a playlist for a book was when I finished Tess of the D'Urbervilles by Thomas Hardy and was so moved by it. Again, I've read Hardy was immensely impressed with Jude The Obscure, a book I recommend everyone to read. I even wrote about it on my personal blog.


01 Andrew Bird - Yawny At The Apocalypse

The definition of 'apocalypse' according to the Oxford American Dictionary is the "the complete final destruction of the world." People live in their own worlds, and when bad things keep piling up, sometimes, it is unfortunate that some turn to other possibilities. There is something so heartwrenching about this Andrew Bird song; it's very touching, like Jude Fawley's story.

02 Cat Power - Good Woman

I want to be a good woman / And I want for you to be a good man / And this is why I will be leaving / And this is why I can't see you no more

03 Broken Social Scene - Her Disappearing Theme

People come and go all the time, and we have to deal with it. Whether it be friends, lovers, strangers. Even family, in this case.

04 Radiohead - No Surprises

A heart that's full up like a landfill / A job that slowly kills you / Bruises that won't heal / You look so tired-unhappy / ... / I'll take a quiet life

05 Bloc Party - Blue Light

What could I ever run to / Just tell me it's tearing you apart / Just tell me you cannot sleep

06 The Smiths - Asleep

Don't feel bad for me / I want you to know / Deep in the cell of my heart / I really want to go
 
 
whatyousaygoes
15 April 2008 @ 07:16 pm

01 Andrew Bird – "Tables and Chairs"

I would marry this song because I love it so much. Maybe I’m just looking into it too much, but this song captures emotional bliss perfectly, just with Andrew Bird singing “There will be snacks.” I could say a mouthful of words about this song, but the message is just awesome. Bird has supposedly said that “Tables and Chairs” is about the apocalypse, but generally speaking, if there is destruction, then we’ll just have a great time in the end, because of how awesome it is to be able to start over again. 

02 Modest Mouse – "3rd Planet"

Isaac Brock is a genius. “3rd Planet” is so surreal and purely amazing, that it’s a tad bit difficult to describe what a person can go through when they hear this brilliant track off The Moon and Antarctica. I consider this one of the greatest rock songs ever created.

03 Andrew Bird – "Skin, Is My"

Ah, Andrew Bird: you never fail at impressing me with your charm and wit. “Skin, Is My” showcases delight and happiness, so therefore, how can someone not be able to appreciate this lovely tune? This is my definition of “cute.” 

04 Bloc Party – "The Prayer"

I just love Bloc Party; I make that clear for everybody. A few months ago, I was scrolling around on my iPod for this song so that I could play it for somebody, and the person had commented, “Oh wow, that’s like, everything [by Bloc Party].” He seemed to enjoy “The Prayer,” and I don’t see why not seeing that this was definitely one of the best songs of 2007.

05 Broken Social Scene – "Anthems For A Seventeen Year-Old Girl"

“Anthems For A Seventeen Year-Old Girl” is just wow. It’s the key track for when you’re dealing with coming-of-age. The progression never fails to impress me whenever I listen to Emily Haines sing this song. The song kind of acts as a demonstration of being a teenager who goes through different phases and changes. “Now you’re all gone/Got your makeup on/And you’re not coming back,” is a tad bit devastating because it works with everyone: some day, we all grow up leaving our adolescence and care-free childhood behind and we take on harder, more stress-inducing tasks. And when Haines adds “Can’t you come back?” you can’t help but feel a bit heartbroken. As we grow older, we tend to find a desire for childhood, where being happy isn’t as hard to be than it is when we’re twenty, for example.


 
 
Current Mood: anxious
 
 
whatyousaygoes
07 April 2008 @ 06:38 pm
I've just finished reading one of the most magnificent books I've ever touched, Tess of the D'Urbervilles by Thomas Hardy, and it was completely beautiful, yet it was quite distressing. This is the kind of book that you keep thinking about and tempts you to read it again and again.

01 Sufjan StevensFor the Widows In Paradise, For the Fatherless in Ypsilanti
If there’s anything to say/If there’s anything to do/If there’s any other way/I’d do anything for you

02 Andrew BirdThe Trees Were Mistaken
Am I dead/Or am I dying/Or am I simply tired of crying/My name is a blackbird.

03 New BuffaloMisery and Mountains, Arrows and Bows
My body’s broken/I’m not ashamed/Dangerous token/Guilty with pain/Tell them my story/Again and again/Bring me my sweetheart/I wanna/See him

04 RadioheadExit Music (For a Film)
Wake from your sleep/The drying of your tears/Today we escape/We escape

05 Yeah Yeah YeahsCheated Hearts [iTunes Live Session]
Cheated by the opposite of love/Held on high/And up up up above/Kept my high from the second one/Kept my eye on the first one now/Take these rings and store them safe away/I’ll wear them on another rainy day.
 
 
whatyousaygoes
26 March 2008 @ 04:24 pm
Among other things, I have something to look forward to, and that is Martin Dosh's upcoming album, Wolves and Wishes. It is to be released on May 13, with Andrew Bird (!) collaborating on some tracks, just as Dosh has done for BIrd. The song, "If You Want To, You Have To" has already been uploaded for free download on Dosh's label, Anticon. It had actually reminded me a bit of Say Hi's work (as Say Hi, not Say Hi To Your Mom).

Here's the tracklist:

01 Don't Wait for the Needle to Drop
02 Bury the Ghost
03 If You Want To, You Have To [mp3]
04 First Impossible
05 Kit and Pearle
06 Wolves
07 Food Cycles
08 Keep Up Appearance
09 The Magic Stick
10 Capture the Flag
 
 
whatyousaygoes
16 February 2008 @ 02:48 pm
Swedish pop band, Envelopes comes forth with their latest album, Here Comes The Wind. Filled with fun, jangly pop this record is ideal for anyone interested in bands like Architecture In Helsinki (a group that Envelopes is often compared to) and The Most Serene Republic. The album's opening track, "Party" reminded me of Andrew Bird's "Dark Matter" when I first heard it; not because of its lyrical content, but for the way it was introduced. "I'd Like To C U" is probably the best song off this record. Filled with joy and goodness, one will be pleased when they're finished with this well-put album. B
 
 
whatyousaygoes
28 January 2008 @ 06:51 pm
Although one may not think a certain album is perfect, you can surely respect a record for its musicianship and effort. Here are some of the albums that I think are admirable because of its sophistication and grace.

The Postal ServiceGive Up

This is such a great, techno-easy listening album. Ben Gibbard delivers particularly interesting vocal performances, whether he’s in a Death Cab For Cutie song, or making an effort away from his main band. Jenny Lewis and Jen Wood should have cage match to see whose voice fits better with Gibbard’s.  

Say HiThe Wishes and the Glitch

Fans of Say Hi To Your Mom weren’t dazzled by the shortened name change. I’ve never heard any of Eric Elbogen’s music when he was still Say Hi To Your Mom, but The Wishes and the Glitch is nearly perfect in its own way. I think Elbogen has such an awkward, attractive voice. I’m completely infatuated with the song, “Bluetime.” Distortion is somewhat abundant, but that’s what makes this record.

The Most Serene RepublicPhages

This isn’t an LP, but it is certainly one of the strongest releases this past decade. Never can one be so amazed at the growth that is shown through this EP, when you look at The Most Serene Republic’s debut, Underwater Cinematographer and then, even at random, select a song from Phages. You cannot dare to touch this EP or even manage to remix a song while keeping its originality and complex layers of distortion and cacophony of delicate vocals from Adrian Jewett and Emma Ditchburn.

Blink 182
Blink 182

Speaking of growth, this is it. Although Blink 182 can be categorized as completely different from most of the artists being different, this is unexpected maturity at its amazing depths. I mean, there’s even an instrumental tune on this album –something you wouldn’t normally expect from a pop-punk band. When this came out, fans were either open to the band’s change in direction, or disappointed because of the development, and critics were faced with a record with unexpected sounds. It is obvious this album is the standout in Blink 182’s showcase. Finally, the immature little boys grew up to present this darker, mature record, only to have their career together [as a group] cut short due to their breakup.

Modest MouseThe Moon & Antarctica

“3rd Planet.” That is the first thing I can say about The Moon & Antarctica. What a great way to start your album. That song is completely epic. Isaac Brock is such a talented lyricist that his songs can never fail to charm you. The band goes past surrealism and gives you something completely moving.

The SmithsLouder Than Bombs

I would love to be able to write songs like Morrissey. He never fails to tell the true tale of a heart, and he’s always bitter-sweetly honest. “Heaven Knows I’m Miserable Now” is the song that you listen to when you’re at a party with nothing left to do, no one to talk to and just wish you could be someplace better. The Smiths manage to be meaningful, yet straight to the point at all times.

I’m From BarcelonaLet Me Introduce My Friends

This is one of the best discoveries I’ve made. I don’t know why the fan base of this band isn’t as big as Broken Social Scene, seeing that I’m From Barcelona have 29 members, and better quality songs (I have to say, however, “Anthems For a Seventeen Year-Old Girl is precious and one of my favorite songs ever). Let Me Introduce My Friends has the cheeriest, happiest record you could ever listen to. This album truly captures the essence of a care-free childhood, where all you had to do was wake up, have fun, smile, laugh, and go back to sleep, and again like that’s how the rest of your life will remain. You are a plain freak if you don’t enjoy a single one of these joyful tunes. Sure, the lyrics aren’t poetry, but this is all coming from a laid-back band that is charmingly silly.
 
The StrokesIs This It

This is the band that was going to save rock n’ roll. But the Strokes aren’t doing much of their heroism in the state they’re in. Still on hiatus, the Strokes keep fans of their’s waiting while they can still go back and listen to their debut album, Is This It. I believe the Strokes released a classic –an album with guitar riffs, Lou Reed-esque vocals from Julian Casablancas, and all the good stuff. But really, forgetting the comparisons, The Strokes have come up with their own sound that make them the saviors of rock that modernity needs.

Andrew BirdAndrew Bird & The Mysterious Production of Eggs

It’s amazing how easily Andrew Bird managed to pull off something like this. The Mysterious Production of Eggs, even if less a charm than Armchair Apocrypha, is mesmerizing and magnificent. This is what I call a witty concept album. Primarily revolving around apocalyptic ideas and life and death, Andrew Birds shows everyone that he is capable of complex dynamics. How can you not fall in love with this genius?

RadioheadKid A

Speaking of concept albums, here is one that is apparently a revolution in music. I can understand how people might not fall immensely in love with Radiohead when they first listen to their material, because Radiohead isn’t exactly easy listening. Kid A is sublime and brilliant. Most music today is derived from this one fantastic, electronically ambient album that is an instant classic.  
 
 
whatyousaygoes
13 January 2008 @ 10:28 am
I'm really bored. I mean, this is my second post in the last two hours. I guess posting about my ten favorite artists will occupy me for a bit. I'll start from a ranking of 10 - 1.

10 The Killers
Favorite Song: "Change Your Mind" (Hot Fuss / 2004) [download]
Favorite Lyrics: It's like a cigarette in the mouth / Or a handhake in the doorway / I look at you / And smile because I'm fine. ("On Top")
Comment: I was considering putting Broken Social Scene as number 10, considering that I listen to them more than the Killers, currently speaking, but I have to say, in total, I've probably listened to the Killers more than any other band despite what my Last.Fm charts might say.


09 New Buffalo

Favorite Song: "I've Got You and You've Got Me (Song of Contentment)" (The Last Beautiful Day / 2004) [download]
Favorite Lyrics: And I'll be in your car and driving / Straight through a red light / While you're running through my mind / Arrest me and say yes. ("Yes")
Comment: This woman will just serene your day, turning a tense moment into a light, summer day.

08 Beck
Favorite Song: "New Round" (The Infomation / 2006) [download]
Favorite Lyrics: When I wake up someone will sweep up my lazy bones / And we will rise in the cool of the evening / I remember the way that you smiled / When the gravity shackles were wild / And something is vacant when I think it's all beginning. ("Jack-ass")
Comment: How do you just not like Beck?

07 The Vines
Favorite Song: "Mary Jane" (Highly Evolved / 2002)
Favorite Lyrics: But it really doesn't matter / Couldn't change it if I tried / Though it really doesn't matter / I'll do it till I get it right. ("Homesick") [download]
Comment: Again, The Vines aren't exactly on heavy rotation anymore, but they come up with some really spiffy tunes.

06 The Strokes
Favorite Song: "Barely Legal" (Is This It / 2001) [download]
Favorite Lyrics: Everybody at the party / Shouldn't worry if I'm there / Everybody at the party / Shouldn't worry what they wear / Cause today they'll talk about us / And tomorrow they won't care. ("15 Minutes")
Comment: It took me a while to get into the Strokes. I realized that I liked them on a nighttime drive to New Jersey, while listening to "The Modern Age" and "Barely Legal" -two excellent driving tracks.


05 Feist

Favorite Song: "Inside and Out" (Let It Die / 2004) [download]
Favorite Lyrics: And I don't need to know your favorite artist's name / And I don't need to know what woman felt the same / And I don't need to see you every single day / But I'd like to. ("The Mast")
Comment: Like the Strokes, it took me a while to really get into Feist. But the charm that she is able to add into her songs is certainly winning.


04 The Most Serene Republic

Favorite Song: "Anhoi Polloi" (Phages EP / 2006) [download]
Favorite Lyrics: Stay up for me and we'll compose and make a song that no one knows / To keep up spinning with the world / We can't sleep now, so much to do with all this dizziness in truth. ("Stay Ups")
Comment: This band is just brilliant. They can turn the craziness a person experiences in their minds into these beautiful, delicate pieces of art that simply cannot be touched.


03 Andrew Bird

Favorite Song: "Tables and Chairs" (Andrew Bird & The Mysterious Production of Eggs / 2005) [download]
Favorite Lyrics: My skin is / Cold as her toes on the bathroom floor / Run back to bed and slam the door / Oh what a lovely sound / Oh how is shakes the ground / Oh what a lovely ("Skin, Is My")
Comment: Andrew Bird is the kind of person I'd dream about.


02 Stars

Favorite Song: "Elevator Love Letter" (Heart / 2003) [download]
Favorite Lyrics: Run to the window and call out my name / We'll meet where the sun goes to hide from the rain / From the rain / From the rain. ("The Aspidistra Files")
Comment: Torquil Campbell + Amy Millan = Wonderfully captured emotions.


01 Bloc Party
Favorite Song: "So Here We Are" (Silent Alarm / 2005) [download]
Favorite Lyrics: So I just sigh / And I just sulk / And pretend there's nothing wrong / The teeth of this world tear me in half / And everyday I must ask myself / Where? / Where is it? / Where is home? ("Where Is Home?")
Comment: No comment. I'd just be speechless if I ever got to meet Bloc Party.
 
 
whatyousaygoes
05 January 2008 @ 10:41 am
Los Campesinos! have finally put together their first album, Hold On Now, Youngster ... The record is a bunch of jingles, chords, and fun tunes, all to brighten up your mood. Sounding like a longer version of Sticking Fingers Into Sockets -which is okay, because the new album does have songs from the delightful EP -Hold On Now showcases Los Campesinos!'s ability to chant lyrics and have fun. Songs like "Drop It Does Eyes" and "This is How You Spell, "Hahaha, We Destroyed The Hopes and Dreams of a Generation of Faux-Romantics."" "You! Me! Dancing!" is slightly revised, and still sounds great as it did on Hold On Now Youngster Demo/EP(?) and on Sticking Fingers. "2007, The Year Punk Broke (My Heart)" has a few plucks of the violin (I believe), which can easily be a reminder of Andrew Bird or Owen Pallett.

This record being one of the first few 2008 released/upcoming albums I've listened to, alongside Distortion by The Magnetic Fields which is a complete gem, has a lot to offer. B
 
 
Current Mood: blah
 
 
whatyousaygoes
15 December 2007 @ 03:47 pm
2007 has been an interesting year in the category of records. Stars attempted to thwart those who leaked albums by releasing In Our Bedroom After The War months earlier, Feist won four grammy nominations, mainly for “1234,” but The Reminder holds nominee title for best pop album, The Killers released a rarities album, Natalie Portman compiled a list for charity, and then there was Now That's What I Call Indie Rock. When it comes to choosing the best five albums of 2007, here are my picks:

05 Sunset Rubdown – Random Spirit Lover
When you're listening to Spencer Krug sing the opening lines to “The Mending of The Gown,” you know that you're entering a ride of striking, ecstatic goodiness. “The Courtesan Has Sung” shows the record's epic moments, and “The Taming of the Hands That Came Back to Life” has to be the climax of this bundle of songs, that makes you know for sure you are listening to something beautiful. Forget Wolf Parade and Frog Eyes (unless you're a die-hard Krug/WP/FE fan); Random Spirit Lover just shows you this is enough to make you fall in love with a radical album and an awesome band.

[...Tried uploading a zip of Random Spirit Lover on Mediafire, but the file size was over 100 MB. However, enjoy the other albums provided below :)]

04 Andrew Bird – Armchair Apocrypha
I wanted Andrew Bird for my birthday. Yes, pathetic, and no, didn't get him, but one is allowed to dream hopelessly. Armchair Apocrypha is general songwriting at its best. It's a mix of fun whistling, gifted lyrics, and instrumental flourishes that succeed at amazing you. Who knew that a single man with a violin could turn lines like “I sighed a song that silence brings/It's the one that everybody knows/Oh everybody knows/The song that silence sings/And this was how it goes” into verses of a song that is part of a complete masterpiece? Mr. Bird does not fail at charming you.

[Thank you, [info]yeolderoad  for the link to Armchair Apocrypha.]

03 Bloc Party – A Weekend In The City
Being an obsessed fan of Bloc Party, I don't really know what's so great about them or why I like them. I mean, I've realized that their songs could be sung by bands like Fall Out Boy or even the All-American Rejects (gag). If they were, I don't even think I'd touch A Weekend In The City, which is the finest compilation of guitar riffs and confident lyricism. So what about Bloc Party makes them so cool? It's not because Kele Okereke has a smile that's almost impossible to ignore, or that Russell Lissack is a complete polar bear* (*guess what BP song that's a reference to). Gordon Moakes being darkly handsome and Matt Tong seeming like the best drummer that's looks almost flawless might not really contribute to the band being hailed so sophisticated. I guess Bloc Party is just really good. I mean, when Gordon's voice trails after Kele's during the second chorus of “Uniform,” you know that you've just heard one of the most beautiful Bloc Party moments ever.

[I thank this blogger for providing the link to a must have in your record collection.]

02 Radiohead – In Rainbows
There's no reason to explain why there was so much hype when Radiohead announced a new album on October 10. Of course there was going to be crazed fans going on about how the band was going to self-release the album through their website, allowing you to pay any price for the album. In Rainbows is like a rainbow itself: it goes up to its highest point with orchestral riots, and slowly goes down as the album comes to an end, leaving the listener pleased, with a feeling that makes you think you're floating.

[Credit goes to [info]sweetandsnarky  for recommending this album to others.]

01 New Buffalo – Somewhere, Anywhere
This record is simple. It's nothing complex or mind-blowing, to say the least. However, the way Sally Seltmann is able to use just her voice and her family piano is impressive. Being mentioned in Entertainment Weekly as an artist to watch, New Buffalo is a modest, and rather reserved singer who does exactly what she's best at doing: writing devastatingly beautiful, gentle pop songs with her light, airy voice that sometimes even tugs at your heartstrings.
 
 
whatyousaygoes
01 December 2007 @ 06:25 pm


Andrew Bird!!! He performed at the Beacon Theatre last night. I didn't
go, but my brother did and said that everyone went crazy when "Fake Palindromes" started to play. No "Tables and C hairs" or "Measuring Cups," but he did play "The Happy Birthday Song" and some new material that supposedly sounds pretty good.
 
 
whatyousaygoes
10 November 2007 @ 08:32 am

Stars
have released another music video, this time of the song "The Night Starts Here." If you ask me, this video is completely horrible. They could've just done another Eternal Sunshine of the Spotless Mind duplicate. Head over to Arts & Crafts to watch it.

In the meantime, I'm just waiting for The Most Serene Republic video to be available online and to listen to Andrew Bird's Soldier Only EP.
 
 
whatyousaygoes
The Most Serene Republic's Population has finally been leaked, and much like the band's EP, Phages, this new album is completely wonderful and could become one of the most listened to albums of a person. The orchestral flourishes of the tunes in the record is a reminder of Radiohead, an obvious influence for the band, considering Kid A revolutionized their music.

A person should be used to the fact that almost everything by this band sounds good. Population doesn't change this fact. In fact, this new album creates a whole new sound for the Most Serene Republic, given that the songs on this album are edgy and aggressive, and have more of a rock and roll feel.

It would be surprising if the first song off the album wasn't instrumental considering that everything of the band's starts off with a nice instrumental tune to get the listener ready and build up anticipation of what he/she is about to venture on. "Humble Peasants" was a great intro to the record; a lovely, nice sounding track that features whistling that actually reminded me of Andrew Bird. Of course, the whistling in this song doesn't match the whistling in Bird's "Simple X," found on Armchair Apocrypha.

"Compliance" works well with Adrian Jewett's voice. This track unfolds the unusual aggressiveness produced by the band. Next comes a song that makes you realize that Emma Ditchburn and Jewett's vocals are meant to be combined. They work amazingly in "The Men Who Live Upstairs," a song where Jewett's voice seems to be more experimental, a similarity to the song, "Tragedy of the Commons," found on a split vinyl released with the band, Headlights.

Ryan Lenssen, who provides the band with backup vocals and the keyboard commented about the addition of Ditchburn's voice on Phages, which was a new thing for the band back then. "On Phages, we experiments with Adrian and Emma's voices," he said. "We have a lot of experience listening to vocal duets and we thought 'We could do that, or invent a whole brand new thing .' So we decided to go with the latter and people either love it or hate it I'm sure but it is, at least, it's own thing." On Population, Ditchburn contributes a lot to the album just with her voice alone. "Present of the Future End" features a lot of her sophisticated voice.

 
 
whatyousaygoes
23 March 2007 @ 10:19 pm

Just a compilation of normal indie stuff. Try to listen to some of them.
 
  1. Fiery Crash - Andrew Bird
  2. Energy - The Apples in Stereo
  3. England - Bloc Party [mp3]
  4. This Modern Love - Bloc Party
  5. We Used to Vacation - Cold War Kids
  6. Mushaboom - Feist
  7. Huddle Formation - The Go! Team
  8. Call n' Return - Hellogoodbye
  9. Proposition 61 - The Most Serene Republic
  10. Look Up - Stars
 
 
 
 
 

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